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Cake day: May 19th, 2025

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  • Lukashenko’s smart enough to know that he doesn’t wanna rock the boat when it comes to public support. He only ever goes along with Putin JUST enough to avoid Putin deciding to just outright annex Belarus, but stops short of anything that would make the domestic situation untenable. Remember when he did a public presentation on the Ukraine war with a map that showed the Russian plan to continue the advance into Moldova? That probably wasn’t an accident. It spurred the West into taking things seriously.

    To stay in power he needs Belarusians to believe that any attempt to oust him will result in Russian soldiers putting the revolt down, BUT he also needs to keep Putin from ACTUALLY expanding Russian control of Belarus. He knows that if Russia wins in Ukraine then the Baltics are next, and that Belarus will get dragged into that. So he has to play nice with Putin but doesn’t want Putin to actually win.




  • Regardless of how expensive the show was, that money was well-spent as it’s reinvigorated the flagging fan interest in the entire franchise. People would be excited to see more political thriller/spy procedural stuff set in the Galaxy Far Far Away now. I was already fascinated by the Doctor Pershing stuff in The Mandalorian; if they started building on that angle and did a “Kleya as an aging George Smiley-type working with Chancellor Mothma, General Syndulla and Senator Organa in trying to counter the rise of the First Order during the Galactic Cold War era” I would be front row centre for that and I suspect I wouldn’t be the only one. Andor has made the politics of Star Wars exciting again, and I wanna see more Senate oversight committees with Leia going up against Senator Xiono et al. Though unfortunately a recast would be necessary…


  • Things that went wrong with The Acolyte:

    • It spoiled its “mystery” in its first episode but then continued to act like we, the audience, were in the dark about it

    • A lot of the conflict came from characters holding the Idiot Ball for no reason and never communicating

    • It killed off all the most interesting characters that it had spent the entire season fleshing out, and then asked us to tune in next season to follow the continuing adventures of the characters it hadn’t managed to make us care about (and Qimir who’s cool but not cool enough to carry a show on his own)







  • It needs to go back to cheap practical effects and far less CGI. The aliens don’t need to be made of papier-mâché but we don’t need shots of a spinning TARDIS flying through space or the vortex. Just show it fading and reappearing, like normal. The TARDIS interior doesn’t need to be so enormous; the size of that Memory TARDIS from the Sutekh arc was fine. It doesn’t need to be the location of a story; just a small backdrop while the Doctor and companions are briefly in transit to where they’re ACTUALLY going. Finales don’t need giant CGI monsters or fleets of Dalek saucers to “raise the stakes”. A single Dalek should continue to pose enough threat to have the Doctor worried.

    I was perfectly happy watching Twin Peaks and another dimension was represented by some red curtains and garish knick-knacks. Imagination is fine. Weeping angels being the same statue just moved around, and a different one when they attack, that’s effective cost-cutting. The creature you never see because it’s always behind someone? That’s effective cost-cutting. The swarm of invisible locusts that turn you into a skeleton if you stand in the wrong shadow? That’s effective cost-cutting. Limitations INCREASE creativity. Budgets don’t need to be enormous. Jaws was scarier in the scenes where you DIDN’T see the shark.