Anyway, Alien: Romulus is the seventh film about these particular monsters. According to the producers, the film takes the franchise ‘back to its roots’. So we get a group of grimy crew-mates piloting a big rust-bucket of a spaceship who pick up an extraterrestrial stowaway and end up having to use their wits and courage to survive as it gobbles them up, one by one.

And it’s not a bad film. It’s nicely creepy, the special effects are good, the acting is perfectly serviceable. In fact, I could give you a normal review of Alien: Romulus, but just writing this is making me feel a little crazy. It’s not a bad film, but it’s also a direct copy of a much better film that already exists. That film is called Alien, and it came out in 1979. It had Sigourney Weaver in it. It hasn’t vanished. If you have a Disney+ subscription or a torrent client, you can watch it tonight. Why have we made it again? What’s the point? Why have we spent the past 45 years – which is longer than I’ve been alive – making seven different versions of the same film? What on Earth is going on?

  • DragonTypeWyvern@midwest.social
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    2 months ago

    I think that’s what Ashe and Burke talked about/implied so most people just rolled with it, it’s not like MIC corruption is a rare theme, but they’ve been working up the human/xenomorph hybrid angle for a while.

    https://screenrant.com/alien-weyland-yutani-xenomorph-goal-hybrid-species-marvel/

    And it does tie a lot of threads together while being honestly a bit more horrifying imo. There’s always been a bit of a background to the movies of “How could Weyland-Yutani be so stupid as to risk a xenomorph outbreak on Earth or a colony” and even “but Marines with guns absolutely slaughtered them so it’s not even that good of a weapon” that this motivation addresses far more readily.