What I mean by favorite here is

“what I often find myself greatly admiring when I notice it’s done really well”

gonna go with Director of Photography (cinematographer). with emphasis on the photography.

Some things I’ve watched recently that illustrate this role.

  • Saltburn, great use of vertical space with the 4:3 aspect ratio, lots of color and natural light. Summer is captured well.
  • Crash (1996), Lots of night scenes (always tough to get right), the setting looks appropriately dark, grimy, and mechanical.
  • Fight Club, also a (literally) dark film and looks great.
  • jacab [he/him]@hexbear.net
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    3 months ago

    I’m always impressed with good sound design–particularly foley. It really makes a world of difference to give an environment the right tone and make it an immersive scene.

    • erik [he/him]@hexbear.net
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      3 months ago

      At the more entry levels of filmmaking, nothing separates the wheat from the chaff faster than sound. Not only is it very underrated by a lot of budding, amateur filmmakers, but it’s so easy to get wrong and so difficult to get right. A lot like finding a drummer for a fledgling band, finding a good sound designer is super hard to find, but so important.