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Cake day: September 24th, 2024

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  • The implication I got was that Agatha was giving Rio bodies in a sort of unspoken deal to keep Nicky alive–hence her coming and taking him when Nicky backed out. Going a step further, maybe Rio knew that Nicky was no longer going to go along with the plan after this one time that he refused, so he no longer served her needs.

    The idea there would be that Agatha can’t face him because of the deal she made him an unwitting party to. Based on his nature and how Agatha described him, it seems like if he had known why they were out killing witches constantly (trading their entire lives for an extension of his own), he would not approve.







  • I get the argument, but email is also very different to the kind of open-web network that the fediverse resides in. There are problems the fediverse faces which email doesn’t like discoverability. The emails either come to you or they don’t. With federated social media, you have to find the content you’re looking for first. Maybe you use a search engine, or somebody gives you a business card with their handle and instance, whatever. Then you have to figure out how to view those posts from your home instance if you want to actually interact in any way. There’s browser extensions and stuff which try to make this easier, but that’s another thing that has to be explained and set up, plus not everyone is visiting from a web browser with extension support, or a web browser at all for that matter.

    It’s not fundamentally impossible to understand the fediverse, but there’s more of a barrier than email, which can be explained in a single sentence like “Your email provider gives you a unique address that anybody else can send emails to and vice versa.” I don’t think convincing ourselves that the fediverse is actually very simple is going to convince people outside the bubble that that’s true.



  • I absolutely was not expecting the Lilia reveal to be so incredibly satisfying. A couple of days ago, I wondered if anybody had listed all of her various outbursts in an attempt to put them in some meaningful order, but even though I was on the right track, this was much better than what I was imagining (I was guessing some kind of latent prescient ability locked away in a separate personality). I love Patti LuPone and they really did both her and Lilia justice here. Perhaps more than anything else, this will be the hook for a rewatch, seeing Lilia again in her true context.

    I simultaneously want the series to be done so I can start again and want it to keep going forever.


  • Even though there is some network effect just in terms of there being much less content on the threadiverse than Reddit, I do feel like this is something we’re somewhat shielded from. For the most part, we’re not here to follow specific people: my friends aren’t on Lemmy/Mbin, or maybe they are, I don’t actually know or care. I have a Mastodon, but a lot of the people I’d theoretically be interested to follow are still on Twitter, or BlueSky, or Threads or something. It’s not enough of a pull factor to make me join any of those, but it’s probably why I barely use Mastodon.


  • Rotschy, which routinely hired teenage workers amid recent labor shortages, violated the law when supervisors assigned tasks known to be dangerous and prohibited for minors to perform.

    L&I later issued significant fines against Rotschy for the incident, but has for years approved special “variances” for the company to hire minors despite its history of serious safety violations.

    For their part, Derrik and his parents say they do not hold Rotschy responsible. It was a fluke, an unlucky break — not the company being neglectful, they said.

    “I don’t think Rotschy failed my son in any way,” Derrik’s dad said. “All these events culminated into this accident.”

    I hope they were paid very, very handsomely to say that.



  • This is a bit of an oversimplification. Generally, they would use the laughter from the actual audience in attendance. The stands were mic’d but the nature of filming anything is that it will often take multiple takes. Ideally, you get a perfect performance and response on the first take, but that’s not reality. Maybe you got a great laugh, but Jerry clinked a glass loudly over Jason’s line. So they cut and reset, Jerry does the joke again and there’s no mistakes, but the audience response is more muted because they just heard that joke.

    The solution here is pretty obvious: grab the laugh from the first take and dub that over the performance from the second take. Technically, you’re misleading the audience at home because that laughter came from a different take, but it would also be misleading to show the home audience the tenth take and you hear the audience murmur awkwardly as if they hated it, when that’s just the response you’ll get from an audience ten takes deep into hearing the same joke.

    There’s even the reverse case, where maybe some audience audio just isn’t usable. Nobody notices it on the day, but there was one take you got perfectly the first time, but in editing you hear some guy sneezing loudly while the rest of the crowd is giggling. You could just lose that scene or mute the audience for it, or crossfade into some similar audio you got from the previous scene, or whatever. Other times, your actors might continue a scene but the audience laughs over the next couple of lines, so you fade the crowd. In this way, the audience response is only as fake as the show itself is. Maybe Julia gave a funnier line read in take 3 but Jason hit a run on take 5, so you edit those together, making the best of the stuff you got on the day. Sometimes it was necessary to do the same for the laughs.

    It was always preferable to get the real audience response to the actual current take, because if Michael does some physical bit to play off the crowd, you should hear them respond at the appropriate time, even in the middle of a longer laugh. But sometimes the pure documentary fact of what happened in the take that made it to air just isn’t the best version of the show. Ultimately, it’s not a scheme to trick people into thinking the audience responded differently. If anything, a joke that the audience didn’t respond to would get changed on-set rather than fixed in editing. You’d huddle with the writers and go “They don’t like this, what else have you got?” Then you’d feed your actors the new lines and see if they got a better reaction.

    tl;dr: Crowd sound in any sitcom that is filmed before a live studio audience is mostly genuine.

    For a post-script, even pre-taped outdoor scenes and stuff would be shown to the audience on large monitors so that a) they could follow the story and b) so their reactions could be recorded in the same session, with the same crowd, including the same guy with the staccato laugh so everything sounds consistent across the entire episode.

    Sorry this is so long.


  • I definitely hope we get more backstory to William/Billy. I think the big question hanging over the series now besides Tommy is …

    spoiler

    Why is Billy “evil”? It doesn’t seem like killing Livia and Jen served any real purpose. I guess it’s supposed to read as something he did accidentally in a burst of temper, but that’s not much better. I get the sense that the show still wants the audience to like him or they wouldn’t be spending time on introducing his sweet boyfriend. But even with Agatha guilting him about it, we didn’t see much in the way of remorse. I think the show is too well-written to just have him be evil because he just is.

    For what it’s worth, I’m not at all convinced that Livia and Jen (or Alice, or even Sharon/Mrs. Hart) are or will stay dead, so maybe that’s the redemption arc. Perhaps at the end of the road, when Billy finds what he’s missing, it’s not Tommy but the lost members of the coven.

    Nice to get the payoff to the call-forward “A lot happened to me at 13, too.”