

Reminds me of this classic:
“Life forms. You precious little lifeforms. You tiny little lifeforms. Where are you?”
- Lt. Cmdr Data, Star Trek: Generations
Reminds me of this classic:
I do have to agree. The setting may be the best part of later seasons of DISCO, even if they (in my personal opinion) frequently squandered it.
Like, I felt like they didn’t need to make up the DMA - they had practically seasons worth of material written for them just from the inherent realities of the setting.
I take this with a grain of salt, in part because of this past headline: Robert Picardo Says The Doctor Isn’t Just Comic Relief In ‘Star Trek: Prodigy’ Season 2
Which isn’t to say I hated him in Prodigy. Rather, I wonder if by “deeper”, it means he’ll be absolutely ridiculous, just rambling about opera and holonovels all the time, and the writing won’t be all dark and brooding on this show.
I tried to hint at it at the beginning, but I admit mapping Ferengi politics onto human politics is a bit like comparing apples to oranges. I was honestly just trying to use commonly-understood terms, which may be a weak fit.
In terms of social-economic orthogonality, I think that can work for a more general analysis, but doesn’t seem the case in Ferengi society - for instance, social left and economic left reform in the late Zek (Ishka behind scenes)/early Rom seemed like a packaged deal. Also, the social restrictions on women extend to their economic right to make profit - many of the issues in Ferengi society are a blur of economic and social issues that are intimately connected.
Also, unrelated to my above thoughts, rewatching “Family Business”, I disagree with your assessment of Rom. For one, I think both Quark and Rom were equally bothered, just had different ways of expressing it; Quark let his discomfort out through visible anger, while Rom tried to hide it for a while, letting it seep through into his expression. Also, Rom, while seeming like a product of his society, seemed much more open to listening to Ishka, suggesting that while he had socially and economically conservative values, he didn’t hold them as strongly as screaming Quark.
Overall, I agree with your sentiment that political categorization is complex, and I feel no one model perfectly characterizes all ideologies, that there are merely abstractions that might work well in a specific context. Heck, there’s a sci-fi story idea I’m “working” on (by which I mean I haven’t touched it in ages) where I created a 3D political spectrum for my main factions; I forget what my third axis was, though. In the end, as much as some humans like to nerd out about it, an ideology can’t be perfectly reduced to a point on a graph or a line.
Still, there is some undeniable urge to do a deeper dive on Star Trek political mapping, down to sub-charts for characters in the individual societies where we have enough information, although you’d have to figure out how to handle different eras.
It took a good minute for me to decode that acronym.
I guess I usually don’t acronym that film and just refer to it as VI or by its full name
Glorious use of sarcasm.
In terms of writing, they really captured him well on Prodigy, though he was almost entirely a comic relief character.
Looks-wise, he definitely triggered the uncanny valley and was one of the worse aesthetic adaptations of a legacy character in that show. In general, there are some unintentionally terrifying officers on that show.
I do have to say that was one thing Lower Decks did well - when they brought on a legacy character, they were aesthetically recognizable, but never a caricature.
This is probably the strongest counter so far, unless they’ve somehow found or are working on a way to do it without severely borking the marine biosphere.
It doesn’t seem unprecedented for crazy Vulcans to be in the Maquis. For instance, we had the Vulcan gun runner Sakonna in DS9.
Excuse me. I brought up the episode in Daystrom while going on a tangent about the various TNG era alternate futures, focused on the uniforms but also blabbering about how Klingon relations seem to break down quite quickly in any timeline without the Dominion War (further supported by the fact that VOY:”Endgame” has a timeline with the war where relations seem still amicable).
Yeh. This wasn’t meant to be a Wesley hate post by any means.
This was meant to be a based observation that while Wesley had less barriers to an officer position than Nog, both still earned their position.
Fiddle with OpenRGB and see if it works. If it doesn’t, check if there’s any open issues for your model of card - you might be able to aid testing, and if you’re likely, someone might have already made a branch that hasn’t been merged yet. That was the case with my keyboard.
Googling it, some might also have support for using hooking to the motherboard RGB header instead of internal controls.
I use the Chicago95 XFCE theme, which modifies the bash prompt.
Say what you will about Disco, but honestly, Rainn Wilson Harry Mudd is better than the original.
Though honestly, it helps that this Mudd wasn’t in an episode where he did human trafficking and Starfleet did nothing except validate 1950s gender roles for some reason.
C:\home\dexcube\Development\piper\build> python3
Python 3.13.2 (main, Mar 13 2025, 14:29:07) [GCC 14.2.0] on linux
Type "help", "copyright", "credits" or "license" for more information.
>>> from decimal import Decimal
>>> Decimal('0.1') + Decimal('0.2')
Decimal('0.3')
I don’t know, but I do have to applaud how they did Data. First few scenes were enjoyable, and when it got annoying I felt it was purposeful.
I still enjoyed Those Old Scientists when I hadn’t yet watched Lower Decks, granted, I had watched TNG already and so just enjoyed it as TNG-era characters goofing around in the 23rd century.
In fact, after having watched Lower Decks, I don’t necessarily like how Boimler and Mariner are written in this episode - they feel a bit like their basic archetypes than the developed characters they were in the series.
The other good thing about Chain of Command is it gives important context for DS9 without having to stare at scrolling text.
Well, this is from Cast Your Pod to the Wind, which is full of rejects from The Else and random podcast tracks - granted some of them are really darn good rejects like “Brain Problem Situation”.
I think my taste is also skewed towards the weird semi-experimental tracks in general - I am a big “If Day for Winnipeg”.
You mean Kruge?