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Have you ever considered that the Prime Directive is not only not ethical, but also illogical, and perhaps morally indefensible?

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Cake day: 2023年6月11日

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  • “I like ‘Love & Monsters’” might be the most unpopular unpopular opinion of all time, but…dammit, I like “Love & Monsters.” You know, mostly.

    It might actually be the most RTD episode of all time, for better or worse.

    It’s silly. I think the comedy works quite well, through a combination of the writing and the casting. I feel like RTD has a real knack for making the supporting characters of a story seem like real people, rather than plot devices. Every single member of LInDA seems like a living, breathing person to me, and I care about this band of weirdos almost immediately. Even Victor Kennedy has a slimy charisma to him. Marc Warren plays Elton perfectly as a dopey doofus stumbling through life. The madcap farce of it all works incredibly well for me.

    It’s tragic. The episode is packed with ideas about found family, and about not realizing what you have until you’ve lost it. The evolution of LInDA from a group of people with a single goal to a tight gang of friends, which is then disrupted by a newcomer with bad intentions, is great to watch play out. Elton stumbling through it all, realizing too late that he’s become a villain in his manipulation of Jackie Tyler is great, too. The members of LInDA are eliminated one by one in a classicly bloodthirsty RTD fashion. It toys with the idea of people who touch the Doctor getting burned in general, and lays the groundwork for Rose’s impending doom in particular. In the process, it gives Rose perhaps her finest moment to date, turning from furious to sympathetic as she begins to understand some of what Elton has experienced.

    And then it’s almost entirely undermined by the terrible decision to have Ursula…survive, I guess? And then tack on a pretty gross joke at the end.

    Cut out the last three or four minutes, and I think we’d have a classic on our hands. In the end, it can be nothing more than a guilty pleasure.









  • The key line is “Space adventures leave little time for humans to deal with their inner struggles”. This line is important because it is wrong.

    It’s a little odd - I agree that it’s the key line of the episode, but I don’t think it’s necessarily meant to be universally true (though it does reflect Pike’s beliefs, or at least his avoidance of dealing with his own stuff [Edit: This is almost universally true of our captains over the years]), and I don’t think it’s really the point of the episode.

    What I took away from it is a meditation on reality and perception - in a way, maybe the key line was actually what Pike said about the details fading, but the memories remaining. I think anyone who has experienced enough loss in their lives would find that pretty impactful.

    I was enjoing the soap opera silliness up until that point, but I ended up really respecting the statements they were making through Pike’s journey. It takes on an added dimension when you consider where he ends up, living out the rest of his days in a Talosian illusion. I wonder if Juliet will be there…

    What the heck, I might as well make this my top-level comment and include some other scattered thoughts:

    • Soap operas deserve more respect than they generally get - those people work.

    • On that note, it was great to see Marlena herself, Deidre Hall, as the counselor. It’s hard to imagine a better choice.

    • I’m glad Spock slept through this one - he’s hallucinated more than enough this season. And Ethan Peck crushed it as Evil Twin Sybok.

    • One thing I do think has been missing this season is connective tissue for the character arcs. I suppose it’s been there for La’An, but she’s mostly been treading water. It was nice to see her dealing with the fallout of a breakout she initiated, but it still seems fragmented. The same can be said for pretty much everybody else.