Remember how we were told that genAI learns “just like humans”, and how the law can’t say about fair use, and I guess now all art is owned by big tech companies?

Well, of course it’s not true. Exploiting a few of the ways in which genAI --is not-- like human learners, artists can filter their digital art in such a way that if a genAI tool consumes it, it actively reduces the quality of the model, undoing generalization and bleading into neighboring concepts.

Can an AI tool be used to undo this obfuscation? Yes. At scale, however, doing so requires increasing compute costs more and more. This also looks like an improvable method, not a dead end – adversarial input design is a growing field of machine learning with more and more techniques becoming highly available. Imagine this as sort of “cryptography for semantics” in the sense that it presents asymetrical work on AI consumers (while leaving the human eye much less effected).

Now we just need labor laws to catch up.

Wouldn’t it be funny if not only does generative AI not lead to a boring dystopia, but the proliferation and expansion of this and similar techniques to protect human meaning eventually put a lot of grifters out of business?

We must have faith in the dark times. Share this with your artist friends far and wide!

  • locallynonlinear@awful.systemsOPEnglish
    0·
    10 months ago

    Ha! Nope, not buying it.

    nasty license Ironic, considering that their work directly builds upon Stable Diffusion.

    Funny you mention licenses, since stable diffusion and leading AI models were built on labor exploitation. When this issue is finally settled by law, history will not look back well on you.

    So I’m not allowed to have the discussion I’m currently having

    Doesn’t seem to prevent you from doing it anyways. Does any license slow you down? Nope.

    nor to include it in any Linux distro

    Not sure that’s true, but also unnecessary. Artists don’t care about this or need it to be. I think it’s a disengenous argument, made in the astronaut suit you wear on the high horse drawn from work you stole from other people.

    This is not only an admission of failure but a roadmap for anybody who wants to work around Nightshade.

    Sounds like an admission of success given that you have to step out of the shadows to tell artists on mastodon not to use it because, ahem, license issues???

    No. Listen. The point is to alter the economics, to make training on image from the internet actively dangerous. It doesn’t even take much. A small amount of internet data actively poisoned requires future models to use alignment to bypass it, increasing the marginal (thin) costs of training and cheating people out of their work.

    Shame on you dude.

    If you want to hurt the capitalists, consider exfiltrating weights directly, as was done with LLaMa, to ruin their moats.

    Good luck on competing in the arms race to use other people’s stuff.

    @self@awful.systems can we ban the grifter?

    • bitofhope@awful.systemsEnglish
      2·
      10 months ago

      I am buying it. I don’t think @corbin@awful.systems is pro AI art, just that countermeasures like Glaze and Nightshade are not great either, and I agree.

      Artists don’t care about this or need it to be.

      I care about it. Some artists use Debian. Please don’t shit on people who care about software freedom, even if you don’t.

      Making artwork unusable by exploitative machine learning models is cool and based, but using a proprietary tool that’s itself made by from the same pool of exploited artists’ work is less so.

      • froztbyte@awful.systemsEnglish
        1·
        10 months ago

        yeah, seconding. nothing I’ve seen of @corbin’s posting, here or otherwise, leads me to think that they’re in favour of exploitation or the numerous other issues involved in this shit

    • self@awful.systemsMEnglish
      1·
      10 months ago

      @self@awful.systems can we ban the grifter?

      corbin’s track record both on and off awful.systems indicates they aren’t any kind of grifter

      in fact, myself and @dgerard@awful.systems have previously had a conversation about this type of technology (Nightshade and Glaze) where I was initially quite excited about it, but David and others brought up a lot of the same points corbin did here. there were some very solid social points made around the tech too, beyond the licensing and technical points we’ve seen here — should we really be establishing the expectation that artists need to defend their work using this specific proprietary technology? that feels way too close to the bullshit the NFT grifters pulled, where artists could opt out of their work being stolen and sold as an NFT only by following a specific set of steps for each and every NFT market, which doesn’t work. this kind of tech also opens the door for rent-seeking; techniques like Glaze and Nightshade can be broken by changes to generative models, which would keep artists on a treadmill continually paying for the latest versions of these proprietary tools, or else. it feels rather like a protection racket run by whoever has the most access to the models — and that’ll always be the same assholes who run the generative AI.

      so I ended up with the strong impression that this technology won’t make things better for artists and other folks who are being exploited by the AI industrial complex; that this might not be something with a purely technical solution. and I think I understand your strong reaction to some of the posts here, because that fucking sucks. there isn’t a clean engineering solution to this problem that my increasingly technofascist industry created, and when you grow up being told (by some of the same techfash fucks who’re now behind some of the worst use of technology I can think of) that all you do is engineering, it’s easy to feel helpless.

      but we aren’t helpless. technofascism is structured to produce and exploit that feeling when it’s engaged with on a purely technical level, but the systems established by technofascism (LLMs, generative AI, cryptocurrencies, and others) are plainly ridiculous when viewed through any other lens. the technofascist goal isn’t to win on technical merit (there isn’t any), but to normalize ridiculousness. the only way I know to push back against that is social. on a small scale, that’s part of what sneering is — any asshole pushing this ridiculous shit should feel ridiculous doing it, as a lot of the crypto grifters felt when the public at large started sneering at crypto (thanks to the efforts of David, Amy, Molly, and many others). on a larger scale, we desperately need systemic change. as engineers, we’re constantly told we don’t need unions or solidarity, particularly with folks like artists who we’re told are unimportant. it is very intentional that attitudes like that enable technofascism.

      if and when we have those social factors established, a version of these tools with less potential for exploitation might be worth considering. but I see it kind of like the relationship between fediverse software and its community — federation is generally a good thing, but it’s absolutely nothing (and would probably be a net negative) without posters who generally want the fediverse to be a cozy place to make good posts; the polar opposite of the utterly hostile commercialized thing the internet at large has become.