I have a very pragmatic view on music: all I care about is whether it sounds good or not. That’s it. That’s literally it. And from that standpoint the advent of AI music has been a major net positive for me.

You can choose to ignore that and come tell me about the ethics of using AI or how you care about the story behind the song and so on and that’s all fine but just note that you’re no longer addressing what I’m actually saying here.

I’m also not claiming it’s great - only that it’s good. I’ve yet to discover an AI song that I go back to like I do with many human-made songs but if I want to put on a playlist playing in the background then one consisting of entirely AI-made music reliably provides me well above average track after another whereas with organic music I need to sift through a ton of absolute crap to stumble upon the occasional good track that still rarely exceeds what AI is able to output. I can go on YouTube and put on a 2 hour playlist of Jazz House or similar and I don’t get the urge to skip a single track.

Currently I feel like where AI still trips is lyrics - they still are only plausible sounding nonsense once you actually start paying attention to it but especially for instrumental music it has far exceeded the level of a good average human artist.

Few examples of what I’m refering to: with vocals and without.

  • Simon_Shitewood@lemmy.mlEnglish
    331·
    4 days ago

    up to the standard that we expect from good music.

    “Art is paintings of horses”-ass statement. Good music is a gestalt, not a simple sum of its parts. There are plenty of technically skilled musicians who make shit music, and plenty of shit musicians that make good music. There are musicians of dubious ability who make great shit music, or possibly shit great music, but either way do it with a purpose that elevates it above just being noise. There is no standard to be held to because art is not standardised - look at how The Beatles, Led Zeppelin, or Wire changed the face of music with art that was initially critically panned. Look at how the hip-hop and punk scenes dragged people who had never touched an instrument before into the limelight.

    It is entirely possible for a theoretical person to recognise quality without liking it, but you don’t understand what makes music good, so you personally are not able to.