When I first saw it I would have thought it was trans-supporting, other than the detail that (IIRC) the trans woman was played by a cisgender woman.
The entire point of it is that the only thing that is stopping Douglas from being genuinely, incredibly happy, becoming a better person and living an actually fulfilling life in the end is his inability to accept a historical detail that had made absolutely no difference to his relationship. And, since Douglas might be the worst person in the world, we see him destroy that because of his own weird machismo values. Just when we think he’s completely changed as a character, his shittiness on this one thing, emblematic of his incredibly toxic masculinity, comes crashing down on him. This is, darkly, funny. We are abruptly reminded that Douglas is an actual monster, to the point of fist-fighting with the person he loves. “Character is briefly happy but previous behaviour and/or shittiness of their character ruins it for themselves” is like at like 30% of Linehan’s sitcom plotlines.
If there’s something I missed - and it’s been a few years, and thoroughly agree that Linehan’s subsequent behaviour justifies examining his previous work for ulterior motives - I would like to know it. Genuinely.
Can you tell me what’s transphobic about it?
When I first saw it I would have thought it was trans-supporting, other than the detail that (IIRC) the trans woman was played by a cisgender woman.
The entire point of it is that the only thing that is stopping Douglas from being genuinely, incredibly happy, becoming a better person and living an actually fulfilling life in the end is his inability to accept a historical detail that had made absolutely no difference to his relationship. And, since Douglas might be the worst person in the world, we see him destroy that because of his own weird machismo values. Just when we think he’s completely changed as a character, his shittiness on this one thing, emblematic of his incredibly toxic masculinity, comes crashing down on him. This is, darkly, funny. We are abruptly reminded that Douglas is an actual monster, to the point of fist-fighting with the person he loves. “Character is briefly happy but previous behaviour and/or shittiness of their character ruins it for themselves” is like at like 30% of Linehan’s sitcom plotlines.
If there’s something I missed - and it’s been a few years, and thoroughly agree that Linehan’s subsequent behaviour justifies examining his previous work for ulterior motives - I would like to know it. Genuinely.