I think to say that Disco has nothing that contradicts established canon is overselling it a bit. But, I will say that all Trek has violated established canon at one point or another, up to and including TOS itself, which was created by people who had no idea at the time that anyone would even remember it some 57 years later, let alone be obsessed with all this minutiae.
If we ignore visual continuity – which, as a life long comic book reader, I am more than happy to do – Disco still has some few contradictions here and there, but I will say that it actually toes the line without crossing over it too frequently fairly well, allowing it to have some interesting and new approaches to Trek.
The big one – relatively speaking, of course – in my mind is the site to site transporting.
In “Day of the Dove”, Kirk asks Spock, ”Intra-ship beaming, is it possible?” and Spock rattled off a litany of reasons why it was considered too dangerous in all but the most necessary circumstances.
However, we see in Disco, starting with “Context is for Kings”, that they can just order the computer to transport them from one room of the ship to another without hesitation.
It’s a minor quibble all things considered. And clearly something most of the Disco detractors aren’t even aware of.
Lorca’s not the only one who uses it in Disco, though. It actually happens relatively frequently in the first two season. Obviously for seasons three and four things have changed and it’s no longer an issue.
Hell, in SNW while Kirk is on the Enterprise in “Subspace Rhapsody” he prepares some samples collected outside the ship to be beamed to engineering and thinks nothing of that instance of intra-ship beaming. I guess he forgot that whole event where people broke out into song by the time he was mid-way through his own five year mission.
I think to say that Disco has nothing that contradicts established canon is overselling it a bit. But, I will say that all Trek has violated established canon at one point or another, up to and including TOS itself, which was created by people who had no idea at the time that anyone would even remember it some 57 years later, let alone be obsessed with all this minutiae.
If we ignore visual continuity – which, as a life long comic book reader, I am more than happy to do – Disco still has some few contradictions here and there, but I will say that it actually toes the line without crossing over it too frequently fairly well, allowing it to have some interesting and new approaches to Trek.
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The big one – relatively speaking, of course – in my mind is the site to site transporting.
In “Day of the Dove”, Kirk asks Spock, ”Intra-ship beaming, is it possible?” and Spock rattled off a litany of reasons why it was considered too dangerous in all but the most necessary circumstances.
However, we see in Disco, starting with “Context is for Kings”, that they can just order the computer to transport them from one room of the ship to another without hesitation.
It’s a minor quibble all things considered. And clearly something most of the Disco detractors aren’t even aware of.
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Lorca’s not the only one who uses it in Disco, though. It actually happens relatively frequently in the first two season. Obviously for seasons three and four things have changed and it’s no longer an issue.
Hell, in SNW while Kirk is on the Enterprise in “Subspace Rhapsody” he prepares some samples collected outside the ship to be beamed to engineering and thinks nothing of that instance of intra-ship beaming. I guess he forgot that whole event where people broke out into song by the time he was mid-way through his own five year mission.