And yet in what seems like a mere act of throwing paint at a canvas is there not intentionality in the way one’s body moves, balances itself, arcs and bends and stops, in the colors used, in the amount of paint chosen? If you’re arguing that Pollock’s actions are subjected to the rules of physics, so do every action ever? Caravaggio carving incisioni on a canvas does not defy the laws of physics and still cannot be reduced to just “it was resistance, adhesion, friction, elasticity…”
You’re right, there’s a range of intentionality that exists in different media.
Throwing paint creates patterns that’s more random than applying it directly to canvas with a brush. Drawing a line with a pencil is less random than a chisel strike.
It would be very silly for a person to argue that the amount of randomness in the art is what disqualifies it. That’s the only point that I’m making.
If a person uses generative fill in their process they’re not suddenly producing not Art. They’re simply using a tool with more randomness. Like a painter picking the brush up and flicking it to create “happy little accidents” that are incorporated into the work.
It seems silly to decide some arbitrary percentage where a tool, like diffusion, transforms something from art to not art.
It’d be like saying Pollock produced art from where he stood, but if he stood 50ft away then it wouldn’t be art because the work on the canvas is made of much more random elements and much less intention.
I see what you mean, it’s definitely hard to draw the line and estimate how far an artist’s input can be removed form the final piece, before considering it not being a product of art itself. Photography when it just started in the 19th century was disregarded for some time.
The same thing happened when digital photography became cheap enough to be affordable to hobbyists.
Film photographers looked down on people using digital tools because they were just software tools that took all of the skill away because you could just fix your problems in Photoshop. It was the same kind of elitist gatekeeping that we’re seeing here. Some people are using new tools to make art and established artists are gatekeeping the term ‘art’ by attacking the tools.
‘AI’ doesn’t make art. That’s the core strawman in these discussions. People make art and it is art, regardless of what tools they use.
And yet in what seems like a mere act of throwing paint at a canvas is there not intentionality in the way one’s body moves, balances itself, arcs and bends and stops, in the colors used, in the amount of paint chosen? If you’re arguing that Pollock’s actions are subjected to the rules of physics, so do every action ever? Caravaggio carving incisioni on a canvas does not defy the laws of physics and still cannot be reduced to just “it was resistance, adhesion, friction, elasticity…”
You’re right, there’s a range of intentionality that exists in different media.
Throwing paint creates patterns that’s more random than applying it directly to canvas with a brush. Drawing a line with a pencil is less random than a chisel strike.
It would be very silly for a person to argue that the amount of randomness in the art is what disqualifies it. That’s the only point that I’m making.
If a person uses generative fill in their process they’re not suddenly producing not Art. They’re simply using a tool with more randomness. Like a painter picking the brush up and flicking it to create “happy little accidents” that are incorporated into the work.
It seems silly to decide some arbitrary percentage where a tool, like diffusion, transforms something from art to not art.
It’d be like saying Pollock produced art from where he stood, but if he stood 50ft away then it wouldn’t be art because the work on the canvas is made of much more random elements and much less intention.
I see what you mean, it’s definitely hard to draw the line and estimate how far an artist’s input can be removed form the final piece, before considering it not being a product of art itself. Photography when it just started in the 19th century was disregarded for some time.
The same thing happened when digital photography became cheap enough to be affordable to hobbyists.
Film photographers looked down on people using digital tools because they were just software tools that took all of the skill away because you could just fix your problems in Photoshop. It was the same kind of elitist gatekeeping that we’re seeing here. Some people are using new tools to make art and established artists are gatekeeping the term ‘art’ by attacking the tools.
‘AI’ doesn’t make art. That’s the core strawman in these discussions. People make art and it is art, regardless of what tools they use.